Ear-Tickler: “Get Lucky”

It’s been a while since the last entry, so here’s something new to look at.

Daft Punk’s “Get Lucky”, from their latest record Random Access Memories, features some wonderful groove playing from bassist Nathan East and guitar legend Nile Rodgers. Compositionally speaking, the song is pretty straight-forward, revolving around a chord progression of Bm7 – D – F#m7 – E. To create interest, the song employs various textural and melodic changes for different levels of intensity, which is really apparent in East’s bass part.

Summer Update

Here’s what’s been going on lately:

Brad Cheeseman Group

The BCG played at Burlington’s Sound of Music festival back on the 16th, and it was a blast. There aren’t any more shows currently scheduled so I’m hoping to use the time to work on some more new material. Hopefully the next time you see us there will be a lot of new additions to the repertoire! Until then, the EP is still available at Bandcamp if you haven’t checked it out yet.

Brownman Electryc Trio
Brownman’s new Electryc Trio record, Gravitation, was released today and I am featured on the second track, “Ladybird”. This album also features a bevy of amazing bass players, including Marc Rogers and the one and only Damian Erskine. Go pick up a copy at CD Baby or iTunes!

Gravitation: a Study in Freefall
I will also be playing with this insanely talented band at the Beaches Jazz Festival on July 25, 26 and 27.

Now Playing
Here are a few of the records I’ve been digging lately:

Mathias Eick – Skala
Mingus Big Band – Nostalgia in Times Square
Peter Erskine New Trio – Joy Luck
TesseracT – Altered State
Yellowjackets – Mint Jam

Other Notable Upcoming Gigs
July 15: John Cheesman Jazz Orchestra – The Rex, Toronto
July 25/26/27: Brownman Electryc Trio – Beaches Jazz Festival, Toronto

As always, be sure to keep checking back. I’m always adding new transcriptions, gigs and other content.

Ear-Tickler: “To Begin”

Here’s an early entry for you guys.

One of my favourite musical discoveries as of late is British bassist Janek Gwizdala (now residing in NY). His tone and feel reminds me a lot of Rich Brown’s, he plays with some great modern guys (including Mark Guiliana and Jojo Mayer), he has a ton of great interviews and instructional videos on youtube and a great business sense to boot.

The opening track to his 2010 album The Space in Between, “To Begin”, features a really cool, laid-back bass solo. Check out my transcription here.

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While the harmony is fairly straight forward (2 bars of Cm7, 2 bars of Gm7), he keeps things interesting with some really lyrical melodies, some interesting rhythmic ideas and the occasional 16th-note burst of playing out. The first example of this happens at measure 24:

To Begin1

This is all over Gm7 and he starts off playing straight G aeolian, then steps out with some side-stepping pentatonics (in this case fo F#m) before coming back to Gm on 3 of 25. This approach comes back again at bar 45 for a super hip run over Cm7 (46/47):

To Begin3

We start the side-stepping in G#m pentatonic, then moving further out to a line that mostly stems from the E Major bop scale, then back into Gm in 48. Super cool.

Lastly, I just need to point out the crazy run at 31 which involves a lot of string skipping (entirely in 17th and 19th position) and a whole lot of chops in general.

To Begin2

If you’re into what you hear, I would recommend checking out the full album (as well as his others) which can be found here. For bonus incentive, all of his records are currently PWYC on Bandcamp, so you can effectively get all of them for free if you so choose.

Happy listening.