Can’t wait to hear The Tide Turns when it’s released this Friday on Bandcamp? Well, head on over to Les Meconnus for an exclusive preview!
Les Meconnus previously covered the Brad Cheeseman Group’s award-winning performance at the 2016 Montreal Jazz Festival with a wonderfully punny review, commenting on the strengths of the music, the musicians, and the meticulous, singular vision of both.
“Figurants, the wraith says they’re called, these surreally mute background presences whose presence really revealed that the camera, like any eye, has a perceptual corner, a triage of who’s important enough to be seen and heard v. just seen.”
– Infinite Jest, pg. 835
Receiving acclaim for his work as both bassist and composer, Brad Cheeseman has been steadily positioning himself as a unique voice in Canadian jazz. Considered by some to be “one of Canada’s bright new jazz composer-artists,” his music has been described as having the “subtleties of the best modern jazz music” with a strong emphasis on musical storytelling. On Figurants, Cheeseman brings this idea full circle with his most ambitious work yet: a series of new compositions based on David Foster Wallace’s landmark novel Infinite Jest.
Joined by Brad Cheeseman Group alumni Lorenzo Castelli (drums) and Jeff LaRochelle (tenor sax & bass clarinet), as well as Kevin Stolz (piano), Colleen Allen (alto & soprano sax), and Aidan Sibley (trombone), Figurants explores various characters, chapters and themes from Wallace’s novel, using varying instrumentation and moods to set each scene. Whether it’s the urgent quartet performance on “Year of Glad” or the elegant complexity of “Scaling Mt. Dilaudid,” Figurants looks at both the themes and world of Wallace’s novel while recognizing their parallels in the world around us.
Selections from Figurants will be premiered at Spectrum Music’s upcoming “Literary Landscapes” concert.
1. Year of Glad (4:34)
2. The American Century as Seen Through a Brick (6:45)
3. The Wraith Himself (6:45)
4. Scaling Mt. Dilaudid (7:31)